San Rocco a Pilli
In the scorching heat of midday the villa was abandoned, deserted, post-apocalyptic. I hunted across the grounds, running my fingers through the golden Tuscan grass, snooping down dark hallways and looking out the ancient, cloudy windows that appeared to be made of clear honey, though they felt solid to the touch. I wandered into a giant barn. No farm equipment or hay, just faded wood panels and a colony of snoozing birds that had taken up residence in the rafters. The high ceiling and heavy, silent air reminded me of a cathedral; solemnly I knelt to inspect an old nail on the floor. Anxious to hear any type of sound, I lightly rapped the rusted door with my shoe, and the birds suddenly took flight in a panic of feathers and chaotic squawking, swooping down savagely at the invader, filling the previously silent space with noise and anger. I covered my face, perhaps in shame at how thoroughly I had destroyed something so serene, and ducked out the door into the burning sunlight, leaving the birds to return to their prayers. The hot, fallow fields and gentle hills in the distance looked on, unphased and without judgement.
A single gust of breeze meandered past the sweat on my neck, providing just the faintest hint of cool. I breathed deeply, filling my lungs with the air my ancestors breathed so many hundreds of years ago, when the villa at San Rocco was a powerful fortress guarding the countryside, a pillar of strength. Today the villa still stands a lonely guard upon its abandoned hill, but it’s empty and choked with native weeds, its only occupants birds who sing lustily from the treetops and build their nests in the red roof tiles. The outer walls of the buildings all have loops for tying up horses, but there are no horses that need tying up, and rusted farm equipment sits neatly in a line along the field’s edge, more as a creepy decoration than as tools ready for hard use. I dunked my head in a pool of cool water, and hid from the sun in a cobwebbed vestibule that no doubt once offered shade to a 17th century farmhand after a long day’s work. Sitting against a post in the shade, I began to dose. Two tiny birds flew in to get some shade and woke me from my brief nap, but upon seeing me there they departed in disgust. Wrapped tightly in the silence of the afternoon, I let my mind wander the fields.
Why do I find myself feeling jealous of these happy Tuscan birds? As I drift across the countryside searching for something that will lend meaning to my life, these small creatures are content to lay in the sun, to cool their feathers in a pond, to sleep the day away in the rafters of an old barn. Life seems to have purpose and no purpose all at the same time. One day I will disappear and be forgotten, perhaps as if I never existed, much like my ancestors who lived in Italy for hundreds of years, of whom no record exists, whose lives have been utterly forgotten by posterity, entire lives full of laughter and sadness and sex and longing and glorious moments and religion and debate and watching the sun set in the hills and babies born and tragedy and art, erased and forgotten; just as the two birds who flew into my vestibule might never have existed at all, and perhaps lived only in a dream, a dream which I am already beginning to forget. I’m sorry little birds! I don’t want to forget you. I want you to live forever, wild and free in the Tuscan sun. But if you must be forgotten, I want you to live your lives with reckless happy abandon. I want you to drink the air with hearty gulps and dance in the breeze and dive like missiles. I want to join you. Then we can be forgotten together, but we won’t care because we will be birds, smooth and fast, and we’ll make our nests in the tiled roofs of old villas.
Back inside the cool, dusky main house I glimpsed the curvy figure of a piano tucked away in the darkness. The instrument called my name, beckoned me seductively. I approached in a trance. Staring transfixed at the candlestick holders bolted to the wooden frame, I reached desperately for her smooth, white keys. But sadly when she finally felt my tender caress, she could only respond with the dull creak of decrepit age. Dust choked the arteries that once pumped sweet music down these old halls. The piano and I wept together as two lovers who have irreconcilably grown apart. I did not touch her again.
I wandered down a hallway filled with ghosts. A laughing cavalier smirked at me as I tried a locked door. Though the sun still boomed through the open window, the hallway grew more ominous as I crept down toward the dead end. This hall was different from the others, more silent, more deserted, painted differently – as if the craftsman rushed to complete his job and be away from this place. I felt something slide under my skin, an urgency, the instinct to flee. These old ghosts are not scared of the burning noon sun. They are Romans and Tuscans and hard men, and they can smell the softness of my pampered hands, the hands of an untried and cocky young man who fancies himself an adventurer. They mock and beckon. Feeling their presence, I fled in shame and with much haste. Put me on a train back to Rome, get me out of San Rocco, before I join the ghosts and become another smirking face in some faded painting, inviting naive tourists down well-lit hallways that reek of death and lead paint.